Wednesday, October 23, 2013
"Popular" Is Deleterious To Creativity
Popular Is Deleterious To Creativity
What is “popular?” Is it a status? Is it an aspiration or an achievement or a goal or a scheme? Is it even real? I believe it is illusive and fleeting regardless of whatever else it is. I believe it is synonymous with power, that is, until it suddenly dissolves. Anything wrapped in power such as “popular” has high bully potential, and this certainly is the case. Popular is most often maintained through fear; fear of being in, fear of being out, fear of being nothing but invisible as deemed by the “populars.” I have even observed teachers who have so feared the wrath of the populars, that they allowed accountability inconsistencies to exist in their classrooms; accountability inconsistencies clear to all but addressed by none. The power of popular is very tricky to handle and almost always causes some degree of pain to someone. I believe it has some very treacherous and destructive propensities, as well. I believe popular emotionally resembles a house of cards, which, upon its collapse, leaves a horrific wake of devastated, shattered self-esteems and desperately exposed and tramped upon feelings, which in some instances never in a lifetime recover. Why? For what purpose? To be the king or the queen of the pile of what? And yet dreams of “popular” dominate an adolescent mentality until alas this hope of all hopes is ruthlessly dashed by another heartless aspirer, whereby one is overtly and publically deemed uncool and thereby thrown out of the running for popular. Who picks and chooses? Who sits in this omnipotent judgment seat of exalting one aspirer and crushing another with frivolous flippancy? Is popular a supreme to the absolute extreme rendition of the classic tale, “The Emperor’s New Clothes,” where everyone but the emperor sees the lunacy and the tragic hilarity of the situation? To pour one’s heart and energies into the pursuit of this particular illusion of popular, which seems to be very real and important when caught in the swirling sea of it, with thrashing and drowning part of its diabolical protocol, is to leave little heart and energy available for the pursuit of more meaningful, more lasting, more healthy, and more honest aspirations. Fear and creativity cannot coexist well. Creativity’s very nature denotes uniqueness, originality, imaginative freedom, and wonder-filled curiosity, none of which bend to the conformity expectation of aligning with popular. Popular remains the best possible copy of what the world tells it to be, and creativity simply will not be contained as such. To not align is to be discarded. To be discarded is to be relegated to nothing status, to invisible, and if a heart is strong enough to bear this, it will emerge liberated and peaceful; a wonderful place for creativity to dwell and flourish. Can we help our children with this, or are we just as tangled up in it as they?